Black and white photography - without distraction the eye appreciates the composition in black and white photographs
Flat Penny | Sit On Railway Tracks And Really Believe A Train Won’t Come
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The grime was no man’s grime but death and human locomotives, dead men were on that train, wearing all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that eyelid of black misery, that sooty hand or phallus or protuberance of artificial worse-than-dirt. Industrial, modern - all that civilization spotting your crazy golden crown. And those blear thoughts of death and dusty loveless eyes and ends and withered roots below, on the home-pile of rotten railway sleepers and sawdust, bath of steam, skin of machinery, the guts and innards of the weeping coughing car, the empty lonely overheated tin cans with their rusty tongues alack, what more could I name, the smoked ashes of some wood stacks, the noise of wheelbarrows and the milky breasts of iron, bloated espresso machine balancing on thin narrow tracks and sphincters of dynamos - all these entangled in your mummied roots. And you there rolling towards me in the steamy sunset; all your glory in your form. The nightmare train went on through the milky sunlight its whistle screeching -- and the dead men inside laughing.

Black and white photography remains despite the modernization of art
Silk Scarf Coming | No Telegram Today Only More Leaves Fell
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The air is heavy this evening, thicker than usual for this time of year. We expect a hint of crispness when leaves start falling like the wind’s telling us secrets about days to come. But all I feel is muggy. Maybe it’s my mood. She’s projecting again, despite my chagrin. How I’d give anything to go back in her history, to solve the mystery. What fool could have played so loosely with a hand like this? Never mind that line, his loss is my gain. And now I follow behind, ready to pick up the pieces should any break free. My only purpose, to save her from another carbon copy scene. I’ll know it’s time when I see the chill set in, when social graces raise goose bumps on her ivory skin. That scarf, the white one, she wears it like armor when forced to do battle on the fields of society. I watch as it slips lower and lower. A glimpse of her shoulder reminds me of the delicate flower that lies beneath. Despite the hard edge she’s attempting to display, I see only soft curves and her womanly ways. I know in mere moments, we’ll be on the open road. I’ll reach to her hair and let it flow, the pardoned cascade setting her free -- and just like that, she’ll be back with me. ~ Francesca

Black and white photography - image composition adds structure to black and white photographs
Ni Dieu Ni Maitre | For Whom The Hammer Tolls - The Cigarette We Smoke At The Democratic Dawn
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He’s like a hero come back from the war, a poor maimed bastard living out the reality of his dreams. Those whom society rejects, under the pretext that they may have -- no Gods, no Masters. Wherever he sits himself the chair collapses; whatever door he enters the room is empty; whatever he puts in his mouth leaves a bad taste. Everything is just the same as it was before; the elements are unchanged, the dream is no different than the reality. Only, between the time he went to sleep and the time he woke up, his body was stolen. It is very queer that the unhappiness of the world is so often brought on by small men. We were young, and we had just begun to love the world and to love being in it, but we had to shoot it to pieces. We’ve been cut off from real action, from getting on, from progress. We don’t believe in those things anymore; we believe in the war. The cigarette we smoke at the democratic dawn; the dawn that puts a veil for tears that may have -- no Gods, no Masters. You take it from me, we are losing our democratic freedom because we can salute too well. The word of the prophet, I claim it and I wish you -- no more Gods, no more Masters!

Black and white photographer creates classic black and white photographic work with the analog touch
Motown Blues | Miss Liberty Saxing El Degüello & The Awakening From The American Dream
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Detroit's mummified sculptures, frozen behind my back - a vision of human industrial empire keeps passing before my eyes. In my ears, I hear the wonderful symphony which came from factories where metals were shaped into tools for men's service. Motown Blues - a new music, waiting for the composer with genius enough to give it communicable form. I think of the millions of different men by whose combined labor and thought automobiles were produced, from the miners who dug the iron ore out of the earth to the railroad men and teamsters who brought the finished machines to the consumer, so that man, space, and time might be conquered, and ever-expanding victories be won against death. Machinery for its own sake and for its meaning to man -- his self-fulfillment and liberation from drudgery and poverty. Detroit's motor-cars were the ultimate symbols of those American dreams - the reward for travelers towards luxurious existence. But we lost it all; wealth and beauty are buried deeply under this coating golden cold. I have memories, but the images have lost their vividness, they seem dead and desultory. Nothing but glimpses of faded past which Miss Liberty tries to mask by slipping into the photograph’s sepia. And yet the city is not dead: but no human is there any longer to send or receive, to charge or discharge. After a long exile, the wild animals have come back to occupy the territory wrested from the forest: foxes and martens wave their soft tails over the control panels starred with manometers and levers and gauges and diagrams -- badgers and dormice luxuriate on batteries and magnetos.

Black and white photography portrait
Film Noir | The World Is The Mirror Of Myself Dying
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Three o’clock in the morning. The highway is empty, under a malignant moon. The oil drippings make the roadway gleam like a blue-satin ribbon. The night is still but for the engine’s humming noise. There is something unbearably sexy about cars at night. The way the fenders twist the light and reflect the road, the way every driver becomes anonymous. The inside of the old Lincoln smells like asphalt, gasoline and dreams – and desire. The road is straight. The way is long. But the night is short. The humming burgeons into a roar. The car is going so fast it sways from side to side. The backseat produced the sexual revolution but all males chase women they have no intention of marrying for the same reason dogs chase cars they have no intention of driving. My tears were not allowed to cry. At that very special night, after the last picture show, driving my car along the country roads, I began to wonder how real the landscape truly was, and how much of a dream is a dream. I dreamed of driving off bridges, into the moonshine river, into the dried-up reservoir on the country road to home, into the lake beneath some twisting highway of my youth -- Film Noir.

famous photography black and white
Sea Of Life | The Biggest Truths Are Few Indeed
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Fishing provides time to think, and reason not to. If you have the virtue of patience, an hour or two of casting alone is plenty of time to review all you’ve learned about the grand themes of life. It’s time enough to realize that every generalization stands opposed by a mosaic of exceptions and that the biggest truths are few indeed. Meanwhile, you feel the wind shift and the temperature change. You might simply decide to be present, and observe a few facts about the drifting clouds. Fishing in a place is a meditation on the rhythm of a tide, the arc of a year, and the seasons of life. To scratch the surface of those mysteries, for nearness to the beautiful, and to reassure that the world remains. To wash off some of the grief for the peace we so squander; to dip into that great and awesome pool of power that propels these epic migrations and to feel, and steal, a little of that energy. If you went through life refusing all the bait dangled in front of you, that would be no life at all. No changes would be made and you would have nothing to fight against -- and life would be as dull as ditchwater.

Black and white photographic work in limited editions black and white fine art prints
Road’s End | No Motorized Girls Beyond This Point
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Man really loves nothing but his automobile; not his wife his child nor his country nor even his bank-account first but his motor-car. The automobile has become a national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the woman has become cold and undersexed; she has projected her libido on to the automobile. So in order to capture and master anything at all of her anymore the man has got to make that car his own. Which is why let him live in a rented rat hole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.

Black white photography in limited edition fine art prints and open editions fine art black and white prints
Inno Saint | I Used To Think A Bird Couldn’t Fly If Its Wings Got Wet
Limited Edition of 3 ▪ € 12.000

The land and the water make numbers joined, through the endless night the earth whirls toward a creation unknown – a poem written in flesh and stronger than steel or granite. For years I went about, day and night, with only one thing on my mind – her! She rises up out of a sea of faces and embraces me, embraces me passionately – a thousand eyes, noses, fingers, legs. I could see only the eyes shining through; eyes so big and bright, as if they saw more than they could comprehend. That’s what made them so beautifully bright. One can wait a whole lifetime for a moment like this. The woman whom you never hoped to meet now stands before you and she looks exactly like the person you dreamed about. But the strangest of all is that you never realized before that you had dreamed about her. Your whole past is like a long sleep, which would have been forgotten had there been no dream to become reality. I sit down beside her and she talks. I hear not a word because she is beautiful and I love her and now I am happy and willing to die. But she even wouldn’t remember that at a certain corner I had stopped to pick up her hairpin, or that, when I bent down to tie her laces, I remarked the spot on which her foot had rested and that it would remain there in Perpetuum, even after the cathedrals had been demolished and the whole Latin civilization wiped out forever and ever. I loved -- and I lost.

Black-and-white photography by black and white photographer
Abbassando | Windshield Wipers Slapping Time
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A bare thigh or a thumb in the air can only lead to certain despair when you take a chance on beauty so fair that she must be too good to be true. A look of innocence required no effort on her part, so when it became a necessity, she thought nothing of it. A stunning beauty, gifted by her pagan Gods with the visual charm of a young Cardinale. A cunning vixen, learning early that her impish charms could bring her any number of rewards. With Cicciolina, you'll never get what you see. In fact, it was festering and putrid, beneath the stunning veil of youth. Even before she was aware of her need to control men, she had a skill for cutting her eyes a certain way that would render any man senseless. She used that skill many times, and it fueled the darkest parts of her being. She found the complete mesmerized looks on their faces both disgusting and empowering. Her mind drifts, strolling through the path of potential suitors that could come calling. Her bewitching resplendence a consummate host, delivering wanderers, wonderers, travelers, and poets. Serving them to her in a bountiful buffet, feeding her ever increasing hunger for all of the life's vigor. The dust on the road kicked up just enough to cause her to squint back into reality. Surely someone would come along soon, if not she might be forced to nap. She had seen a little station a few miles back, surely there would be a young man there willing to help a damsel in distress. Or even better, a mature blue collar with rough hands and amorous gullibility. Although, with far too much life out there to live, there was no time to waste with napping. This would not do. She'll wait a bit longer; after all the shade casts just enough shadow to lend to her current state in an appealing way. ~ Francesca

Artistic black and white photography with a vision on each black and white photograph to be unique and memorable
Winter's Bone| No Beauty Is Allowed To Die In Oblivion
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The camera went insistently around the gorgeous sealed white body, examining and making notes of its deep sleep and history. Dear C. S. De Ville, you are hiding layers and layers of warm dreams and richness. Thrilled by this rare white find the camera lost track of time, to be suddenly startled by a faint movement that disturbed the morbid mossy stillness. The old beauty wearily yawned: “What a persisting warm clicking, so alien to my death." She exhaled a feeble breath: “What is this emptiness where the sun seems not to gleam by day, nor the moon by night? What is this deep sleep that fell upon me?” She quivered and lifted her eyes unto the shattered horizon on a mapping created by cracks and rust, shadows of memories fell upon her foggy windshield, the silence was broken by this movement outside her wintry coffin. The glorious white Cadillac De Ville, Sedan, four doors, Hard Top 1960, the dream of all dreamers - now just an image of herself. A whole era was ready to spring to life but her memory faded, what is left is a sad smile, which deepened the lines on her wrecked face. She felt cold and rusty but didn’t bother asking who and why surrendering to the clicks that bring her back to her past golden glory and give her eternity. With despair, she sighed: "I was the aspired prize, implied under the glitter blinding those who came chasing for a richer existence. I lost it all; wealth and beauty are buried deep under this crystal white meth. White trash? No, no, no! Winter’s Bone? Yes, you can call me -- Winter's Bone!" ~ Shadia Alem