Reinfried Marass - Without Heart Photographs Would Be Mere Images
artistic photography - vintage fine art photograph of young girl riding in classic car
The Little Red Riding Dress | Drive Until Not A Person Knows Your Name
Limited Edition of 3 ▪ € 7.000

In the midday heat of any yellowish June's summer day, back in 1948. Touching the steering wheel and power ran to my fingertips. Driving west, then south, in search of the old highways. All of a sudden I was out of the lot and on the turnpike next to the mountains, flying. I put my hand out the window, and then I put my head out; a million smells along this road, both old and just born. I felt my hair blow behind me and the air rush into me, and I forgot for a moment to worry about how I was supposed to be. Most of life is driving somewhere and then driving back wondering why the hell we went there. The roadway seems to stretch for miles in a straight line as the fields and farms give way to a more barren landscape. All that space, waiting, so easy to go sailing off this road. It was like hundreds of roads I'd driven over, no different, a stretch of tar, lusterless, dusty, pitted, bumpy. The broken center line of the road reflected itself in the windscreen and became an endless pulsing ribbon. A town or village straddling the highway; street signs peer out here and there among the trees. On both sides were telephone poles, tilted this way and that, up a little, down, threaded together by wires. I counted one, two, three ... one hundred and nineteen telephone poles. Along them I drove like a drunken butterfly heading to its next fermented flower. The indicator on the speedometer started to lose ground and I was miles away from my real life. Driving is a spectacular form of amnesia, everything is to be discovered, everything to be obliterated.

Black and white photography remains despite the modernization of art
Silk Scarf Coming | No Telegram Today Only More Leaves Fell
Limited Edition of 3 ▪ € 7.000

The air is heavy this evening, thicker than usual for this time of year. We expect a hint of crispness when leaves start falling like the wind’s telling us secrets about days to come. But all I feel is muggy. Maybe it’s my mood. She’s projecting again, despite my chagrin. How I’d give anything to go back in her history, to solve the mystery. What fool could have played so loosely with a hand like this? And now I follow behind, ready to pick up the pieces should any break free. My only purpose, to save her from another carbon copy scene. I’ll know it’s time when I see the chill set in, when social graces raise goose bumps on her ivory skin. That scarf, the white one, she wears it like armor when forced to do battle on the fields of society. I watch as it slips lower and lower. A glimpse of her shoulder reminds me of the delicate flower that lies beneath. Despite the hard edge she’s attempting to display, I see only soft curves and her womanly ways. I know in mere moments, we’ll be on the open road. I’ll reach to her hair and let it flow, the pardoned cascade setting her free and just like that, she’ll be back with me. ~ Francesca

Black and white photographer creates classic black and white photographic work with the analog touch
Motown Blues | Miss Liberty Saxing El Degüello & The Awakening From The American Dream
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Detroit's mummified sculptures, frozen behind my back. A vision of human industrial empire keeps passing before my eyes. In my ears, I hear the wonderful symphony which came from factories where metals were shaped into tools for men's service. Motown Blues. A new music, waiting for the composer with genius enough to give it communicable form. I think of the millions of different men by whose combined labor and thought automobiles were produced, from the miners who dug the iron ore out of the earth to the railroad men and teamsters who brought the finished machines to the consumer, so that man, space, and time might be conquered, and ever-expanding victories be won against death. Machinery for its own sake and for its meaning to man, his self-fulfillment, and liberation from drudgery and poverty. Detroit's motor-cars were the ultimate symbols of the 'American Dream' - the reward for travelers towards luxurious existence. But we lost it all; wealth and beauty are buried deeply under this coating golden cold. I have memories, but the images have lost their vividness, they seem dead and desultory. Nothing but glimpses of faded past which Miss Liberty tries to mask by slipping into the photograph’s sepia. And yet the city is not dead. After a long exile, the wild animals have come back to occupy the territory wrested from the forest. Foxes and martens wave their soft tails over the control panels starred with manometers and levers and gauges and diagrams. Badgers and dormice luxuriate on batteries and magnetos.

Black white photography in limited edition fine art prints and open editions fine art black and white prints
Inno Saint | I Used To Think A Bird Couldn’t Fly If Its Wings Got Wet
Limited Edition of 3 ▪ € 12.000

The land and the water make numbers joined, through the endless night the earth whirls toward a creation unknown; a poem written in flesh and stronger than steel or granite. For years I went about, day and night, with only one thing on my mind. Her! She rises up out of a pond of faces and embraces me, embraces me passionately. I could see only eyes shining through; eyes so big and bright, as if they saw more than they could comprehend. One can wait a whole lifetime for a moment like this. The woman whom you never hoped to meet now stands before you and she looks exactly like the person you dreamed about. But the strangest of all is that you never realized before that you had dreamed about her. I sit down beside her and she talks. I hear not a word because she is beautiful and I love her and now I am happy and willing to die, but she even wouldn’t remember that at a certain corner I had stopped to pick up her hairpin, or that, when I bent down to tie her laces, I remarked the spot on which her foot had rested and that it would remain there in Perpetuum, even after the cathedrals had been demolished and the whole Latin civilization wiped out forever and ever. I loved. And I lost.

Black and white photography portrait
Film Noir | The World Is The Mirror Of Myself Dying
Limited Edition of 3 ▪ 1 Left ▪ Not for sale

The highway is empty, under a malignant moon. The oil drippings make the roadway gleam like a blue-satin ribbon. The night is still but for the engine’s humming noise. The road is straight, the way is long but the night is short. The humming burgeons into a roar and the car going so fast it sways from side to side. The inside of the old Lincoln smells like asphalt, gasoline and dreams and desire. The backseat produced the sexual revolution but all males chase women they have no intention of marrying for the same reason dogs chase cars they have no intention of driving. At that very special night, after the last picture show, my tears are not allowed to cry. A tramp on the night, driving my car along the country roads, I began to wonder how real the landscape truly was, and how much of a dream is a dream. It was then that the rain started. I loved the sensation of the water running over my body and, for an instant, I closed my eyes and forgot. The rain drenched my dress, but the deluge did nothing to dampen the mood of the night. I dreamed of driving off bridges, into the moonshine river, into the dried-up reservoir on the country road to home, into the lake beneath some twisting highway of my youth.

Black and white photography - image composition adds structure to black and white photographs
Ni Dieu Ni Maitre | For Whom The Hammer Tolls - The Cigarette We Smoke At The Democratic Dawn
Limited Edition of 3 ▪ € 9.000 ▪ 2 Left

He’s like a hero come back from the war, a poor maimed bastard living out the reality of his dreams. Those whom society rejects, under the pretext that they may have -- no Gods, no Masters. Wherever he sits himself the chair collapses; whatever door he enters the room is empty; whatever he puts in his mouth leaves a bad taste. Everything is just the same as it was before; the elements are unchanged, the dream is no different than the reality. Only, between the time he went to sleep and the time he woke up, his body was stolen. It is very queer that the unhappiness of the world is so often brought on by small men. We were young, and we had just begun to love the world and to love being in it, but we had to shoot it to pieces. We’ve been cut off from real action, from getting on, from progress. We don’t believe in those things anymore; we believe in the war. The cigarette we smoke at the democratic dawn; the dawn that puts a veil for tears that may have -- no Gods, no Masters. You take it from me, we are losing our democratic freedom because we can salute too well. The word of the prophet, I claim it and I wish you -- no more Gods, no more Masters!

famous photography black and white
Sea Of Life | The Biggest Truths Are Few Indeed
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Fishing provides time to think, and reason not to. If you have the virtue of patience, an hour or two of casting alone is plenty of time to review all you’ve learned about the grand themes of life. It’s time enough to realize that every generalization stands opposed by a mosaic of exceptions and that the biggest truths are few indeed. Meanwhile, you feel the wind shift and the temperature change. You might simply decide to be present, and observe a few facts about the drifting clouds. Fishing in a place is a meditation on the rhythm of a tide, the arc of a year, and the seasons of life. To scratch the surface of those mysteries, for nearness to the beautiful, and to reassure that the world remains. To wash off some of the grief for the peace we so squander; to dip into that great and awesome pool of power that propels these epic migrations and to feel, and steal, a little of that energy. If you went through life refusing all the bait dangled in front of you, that would be no life at all. No changes would be made and you would have nothing to fight against and life would be as dull as ditchwater.

Black and white photographic work in limited editions black and white fine art prints
Road’s End | No Motorized Girls Beyond This Point
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Man really loves nothing but his automobile; not his wife his child nor his country nor even his bank-account first but his motor-car. The automobile has become a national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbid the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the woman has become cold and undersexed; she has projected her libido on to the automobile. So in order to capture and master anything at all of her anymore the man has got to make that car his own. Which is why let him live in a rented rat hole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.

fine art photography black and white print cars women fashion motion vintage classic photograph photographs photographer artist photographic
Cannes '62 | You Can’t Tell The Hunters From The Hunted
Limited Edition of 3 ▪ € 5.000

Camera flashes everywhere. Photographers flushed out starlets, starlets stalked photographers. Of the celebrated tradition of little-known actresses posing for hordes of photographers, the hunt for attention becomes so fierce at Cannes that you can’t tell the hunters from the hunted. In 1962 the role of the movie queen came naturally to Natalie, who was at the top of her form. Photographers pursued Jane like jackals, avidly focused on her two outstanding talents, but this year the town posted gendarmes to prevent all sorts of celebs from taking off their bikinis. How boring! Swiss made Ursula introduced herself as Honey Rider. Honey Bee, be my honey. God created Brigitte who was cruising the beaches showcasing her new Riva boat. Italy’s Sophia accompanied Austria’s Romy who still was with France’s Alain; playing pool games at Carlton’s ‘La Piscine’. Grace was lassoed and tamed by the last pirate of the Mediterranean Sea. Out of her, he made ‘Grace On The Rocks’. I was after the face in the celebrated crowd, after that orchestral shot. I spotted HER hubby’s famous Peugeot in the Martinez’s backyard where I hid like a black alley cat. Two packs of Gitanes later the chase went down the ‘Boulevard de la Croisette’. She pushed the poor lil’ Peugeot to the limits. My Facel Vega, stolen from Jule’s 'Phaedra' movie set so Anthony had to drive a DB4 into the ocean to make Melina cry a river, hardly could team up. Finally, neither Paris Match nor LIFE liked my shots. The editors just laughed "Oh little boy, don’t get fooled, Mrs. Columbo has never been seen, and probably never existed, it's just Madame de Papillon". Well, boys, I know better!

contemporary color photography
Rope | Riding With Cicciolina
Open Edition ▪ € 300 to € 600

Cicciolina takes you on a journey of revenge, lust, and sacrifice. What many would see as a stunning young woman turns out to be a cunning vixen, rotten as an apple hung too long on the tree well into fall. Left by her father too early in life, the victim of men and their lecherous eyes, scarred from years of broken hearts and lies, our darling Cicciolina takes to the road. With her suitcase in tow she hunts, patiently, innocently - driven by a well-calculated plan. Taking a man's car, his heart, and much more to make peace with the pagan Gods who haunt her night after night. Every lover a lamb to the slaughter. The roles were reversed and the wolf now slayed. A quick flick of the wrist and the tables turn, she claims his heart, his soul to burn. Sadness and anger the fertilizer for her growing orchard of mistrust, deceit, and revenge. Revenge upon the entire species. The pedal to the metal, every mile adding to her intoxicating allure. In search of an oblation, a sacrificial lamb to cleanse her dark soul. If you have wheels that catch her eye and a selfish hunger that you can't disguise, be warned, you will be next to find the burn that comes from meeting her rope. The rope that bound it all, that kept her secrets wrapped up tight, was the one thing that onlookers could see but few could truly know just how special it really was. Much more than a rope, a trusted tool, a friend to the end. ~ Francesca