In the first light of dawn, in the coastline’s haze, leaning from the steep slope without fear of wind or vertigo, an invisible landscape conditions the visible one. The city outside there has a name, yet we don’t know if it will remain outside or whether its whole story will be contained within the blueprint’s inky blackness. If you want to know how much darkness there is around you, you must sharpen your eyes, peering at the faint lights in the distance. The city displays one face to the traveler arriving overland and a different one to him who arrives by sea. With cities, it is as if with dreams: everything imaginable can be dreamed, but even the most unexpected dream is a rebus that conceals a desire or, its reverse, a fear. Thus, the first secret spot that draws you outside is a stump and board bench on a high terrace overlooking the sea and the bay. With a never-ending view and a stunted tree for shelter, like a bird’s wing to stick your head under, you are hidden. No one knows where you are -- your mother is calling and you are not answering.
Bare feet and bare soul, I think I’ll keep walking ‘til I don’t feel so alone. How is it that the mind can wander even when there’s nowhere to go? Asphalt might seem rough to some, but to me, it is the grating pain that reminds me I’m alive. A pebble to the heel is as exquisite as a sharp knife. I stop for a moment and remind myself to take it all in. The ethereal valley before me is surely a charming viridescent hue, how is it I see only in grays? They say that when one of our senses is weakened another is heightened. This must be true because I am so acutely aware of the silence that I’m sure I could hear the wind, were it ever to decide to blow again. How I ache for a morning Zephyr to kiss my hollow cheek. I wonder how many, if any, feet have touched the same spot on which I stand. How many have been lost on their journey and found themselves in this wanderer's land? ~ Francesca
In deciding how a picture should look, in preferring one exposure to another, photographers are always imposing standards on their subjects. Although there is a sense in which the camera does indeed capture reality, not just interpret it, photographs are as much an interpretation of the world as paintings and drawings are. To us, the difference between the photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from photography as a document. The photographer was thought to be an acute but non-interfering observer – a scribe, not a poet. But as people quickly discovered that nobody takes the same picture of the same thing, the supposition that cameras furnish an impersonal, objective image yielded to the fact that photographs are evidence not only of what’s there but of what an individual sees, not just a record but an evaluation of the world. It became clear that there was not just a simple activity called seeing - recorded by, aided by cameras -- but ‘photographic seeing’.
She's rich and she commands a room with her body beautiful persona. She wants a photograph and accepts only the best. The best will deliver envious perfection. We all know that the photograph has a purpose, it has to be truthful, honest. "Portray the generic beauty of my perfect life," she demands. Photographer: Reveal the truth, be unimportant, unseeing and empty like the soul of this trophy wife. She lets him in, reveals herself and the photographic eye sees she has a soul searching complexity. He waits and watches. The photographer senses a beautiful honesty in this broken dynamic and he senses that today she is not a discarded and forgotten trophy. He waits for the lonely place in her heart to find it. They talk, laugh, they forget about the camera so he doesn’t need to dissolve, he can use a flash and she won’t notice it, they are too engrossed in each other. They drop their personas for this moment of picture taking. They play, they talk. "Show me your beautiful eyes," he says and she laughs, tempted. The photographic eye senses it and waits for that perfect moment and he takes it, the heart, and immediately the truth becomes immortalized leaving her to return to her busy life. ~ Kalahari
She smokes ‘cause it makes her feel chic. She jokes to disguise what she means. She has a pretty painted face and skin-tight jeans. All the men stop and stare when she gets out to dance -- she’s so pretentious. Everybody knows her kind -- she’s so pretentious. Just messing with our mind -- she’s as pretentious as can be, but man that girl does a number on me. She drives a red topless Speedster. She thrives on having lots of famous friends. She buys dresses from Paris and boots made in Spain. Gotta a rich sugar daddy, who keeps her in cocaine. She broke and came knocking at my door, we stroked ‘til a quarter past four. I saw her the next evening. She smiled at me and winked. Jumped in a new Corvette, motored down the street -- she’s so pretentious. ~ Jerry Browning
A woman's heart is a deep ocean of secrets, little did I know that when the photographer asked to take my picture he would expose mine. He was supposed to see in black and white. Do not display these little facts saved for my secret place. In this world I float free, releasing my grip on life and the past. I get to miss all of those of whom I have lost sight, those who will forever have a part of me. Here I face truth's spectrum of love and shadows, I must. If not these shadows will creep into my existence, my conscience and cause the ghost of me to haunt all I touch, this ghost that climbs on the table in her bridal negligee. You may try to raise your arm against her but you will just catch that bridal bouquet so dance with her, slowly, patiently with a lover's embrace. She will turn your terror into a fire of desire. See the beauty of the nonbeautiful and ignite your own wild creature. ~ Kalahari
The moon rests en utero waiting for her to release the night. Dusk hangs heavy and exhausted long beyond time for the day’s retirement. She lingers in purgatory between ambivalence and confidence, only willing to liberate twilight when her powers feel strong and her courage is high. She makes her choice carefully. It must be an unfailing ride to ferry her into the depths of darkness, for it’s there that broken souls step out of their own hell and find solace in the crowded shadows. She wraps herself tightly in her coat and contemplates the pounding in her chest. It is not fear, but anticipation. Longing to reach the place where she’ll find peace in opaque dreams. Hidden from the prying eyes of those that would judge her. Removed from the tight grasp of those that would tame her. She turns the wheel to her lunar guide and blossoms like the moonflower in eventide. ~ Francesca
I spend my whole life driving in cars with boys. Riding around town drinking in the white noise. Used to talk about where we are and where we go. Now we know, baby, now we know. I spent my whole life wasted in bars with boys. Playing Rock ‘n’ Roll, dancing in the loud noise. Mommy’s Mercedes or Billy’s pickup truck. Comes out late at night and baby picks me up. Tell him just drive on and don’t ever stop. Don’t take me home again, take me to a new land. Sometimes I wanna give in, but I just have to go on. They say I’m wasting time, they said that I’m no good. Summer of my life, not doing what I should. Call me poison ivy ’cause I’m far from good. Pretty from afar, like a dark star. They think I’m dangerous, they think I’m really bad, I’m just making up for what I never had. Go out every night whenever I feel sad, oh, this drive by love got me crazy like a drug.
Be ever mindful, dear Sir, that not all pretty faces have pretty intentions and not all lone travelers are lonesome. Gingerly she began placing the gimcracks away, and stood slowly, in a most refrained way. She was in the process of straightening her sundress and trying to appear not to notice him when she caught his attention and his foot found the brake. The car skidded on the gravel for a few feet before coming to an abrupt stop almost kissing her knees. She bit her full lip to resist the urge to grin, cut her obsidian eyes and lowered her delicate chin. The introductions were short as she was so exhausted and overcome from these hours on the road, helpless and stunned. He rose valiantly to the call of shining knight, scooping her up into his chariot to her carnal delight. And as he began to load her things from the ditch, she watched his muscles dance beneath his shirt and began to savor this latest hitch. Little did he know, this clueless stranger, that nothing going through his mind was a mystery to her. She knew what he was thinking, she knew that he was like all the others. A bee drawn to her nectar, not keen enough to realize that the more beautiful the flower, the sharper the thorn. She took great care to assure that her hem rode up just enough to keep him distracted, to shake him a bit, for his nervous chatter was quite revealing. He was not a knight after all, that much she knew. He would prove his worth eventually, his true colors would show and she would be free to take control. He never saw the glint of the blade, as the stars blinked as to not witness and her dagger set him straight. And so, dear knight of the road, take care when a sweet hitchhiker attracts you on the crossroad -- your name might already be written on Hell's gate! ~ Francesca